Released by Cathedral Transmissions (UK) in an edition of 40 cds.
cathedraltransmissions.bandcamp.com/album/glimpses

HOW “glimpses” WAS CONCEIVED AND RECORDED
I composed and recorded “glimpses” at night (for the most part) feeling really calm and serene whilst recording the pieces because of the absolute silence, because of the cold outside the windows, because of the rain outdoors. “glimpses” tries to explore human emotions and feelings, acting like a cold heartless person, or like an empathetic one, or feeling very angry or totally at peace with the rest of the world. “glimpses” is having coffee at night, “glimpses” is crying gently while thinking of a dear childhood memory, “glimpses” is listening to your oved one’s breath while sleeping in the bed near to you. All this happened while I was recording in silence, while my heart was quietly beating.

Written, Composed, Performed, Recorded, Mixed and Mastered
by FALLEN between January and February 2018.

Instruments performed and recorded:
piano, electric piano, synthesizers, guitars, field recordings.

Thank you:
Dave and Cathedral Trasmissions, Chiara (my love), my family, all the foreign and the italian magazines and webzines who have reviewed my music up today.

ALBUM TEASER here:
soundcloud.com/fallenproject/album-teaser_glimpses-by-fallen-out-in-3-weeks-on-cathedral-transmissions-uk_pre-orders-soon

VIDEO TEASER here:
www.youtube.com/watch?v=wRn1D9YpR38&t=5s

Facebook: www.facebook.com/The-Child-of-A-Creek-Fallen-274868840294/?ref=bookmarks
Facebook: www.facebook.com/creek.child

-PRESS RELEASES UP TODAY-

Review by Stefano Cavanna
Score: 8
MetalEyes Webzine – Other Sounds (IT)
September 2nd, 2018

A few months after “ást”, Lorenzo Bracaloni (aka Fallen), returns to give us a glimpse of his ambient music that, thanks to the quality exhibited, is getting more and more consensus. Glimpses, as the author tells us, is a collection of songs composed during the night time; a moment of the day in which the body normally rests and the mind is placed on standby, but this does not apply to everyone. For a lot of people the night is the ideal time perhaps to study or it can be the right opportunity to take advantage of the silence and the surrounding darkness, to take stock of some situation that causes us anxiety or deserves to be investigated calmly. But at the same time, darkness makes us indulge in melancholy, at the memory of something or someone lost forever, rather than looking at the night scenes with a detached gaze as if everything that happens around does not concern us. The eight pieces here unfold among all these sensations, often with opposite matrices at the humoral level, but united by their sharpening during the later hours. Obviously the musical structure is also affected by the fact that, due to the very nature of ambient music isn’t subjected to abrupt deviations and it becomes equally more minimal and suffused, perhaps sacrificing some melodic impetus in favor of a more rarefied approach. “The glimpses of life” one's own or that of others, past, present or future, are transmitted with the now usual by Lorenzo’s mastery, a musician able like few others these times in offering us the ideal sound accompaniment to the various phases of our existence. Fallen’s ambient music keep on giving magnificent sensations, even more so considering the recent release “Tout est silencieux”, out via the french label Triple Moon Record; a work we hope to talk about soon, though as always when it comes to sounds similar, words are really nothing compared to a direct listening.

Review by Alessandro Besselva Averame
Score: 72/100
Rumore Magazine (IT)
September 2018

A new piece in Lorenzo Bracaloni’s (The Child of A Creek) ambient discography under the pseudonym of FALLEN: eight tracks in which subtle sound disturbances interact with keyboard landscapes and minimal instrumentation, drawing lens and contemplative harmonic evolutions near to chamber music. An album made with extreme taste and extreme attention to details.

Review by Marco Zordan
IndiePerCui (IT)
August, 9th 2018

Double review for 2 records released at different times, but that somehow create a perpetually constant intertwining between them in a common association that sees Fallen, a quite interesting experimental project, keep going with the rise and fall towards increasingly unexplored borders in territories at the limit and able to weave the plots of a rich complex picture, in references to the brain architecture within our ego. If “Ast” admires the city as an inner spectator, capturing the nuances of chaos and grouping it into a music that is distantly lost to the eye but which immediately wins, “Glimpses” draws a necessary parallelisms with the surrounding nature, opening the way to desolate lands, but full of beauty and energy, recovering primitive and ethereal environmental sounds, for a record that indissolubly joins the previous one while maintaining a certain fundamental originality and a substantial diversity in the passage of sounds and creating an alchemic, fantastic and an almost supernatural atmosphere. The ability of our experimenter is to assemble, as a good mind craftsman, the inside and the outside of everything which surrounds us. These two excellent albums are the example of what I am saying; two concentric albums able in perpetuating the constant need to give a continuous sense to a path that does not seek half measures, but rather levels the gears, oiled by time, of a single large love for art in the round.

Review by Drifting Amost Falling (UK)
August 5th, 2018

Fallen is Italian artist Lorenzo Bracaloni whose last album “ást” was recently covered on these pages and whose next album “Tout est silencieux” is due out on Triple Moon Records in the next fortnight. This particular release comes on the ‘blink and you will miss it’ Cathedral Transmissions label, a label who are known for their quality releases in short numbers that sell out instantly, almost geared for re-selling on Discogs. Thankfully in a digital age we can still get to hear great music like this. I have started to listen to releases in the blog queue almost in a random fashion via my ipod. Listening without taking time to notice what is playing on the screen, and just absorbing the sounds for what they are and not having a pre-conceived opinion based on what I know about the artist. This particular release played on after I was listening to the Ethan Gold one I reviewed recently and I just sat back and enjoyed the sounds before I inquired who was the artist. This album is a different sonic beast to “ást” which for an artist that is prolific as Bracaloni is, is a good quality to have. As with “ást” there is a theme at hand. “I composed and recorded “glimpses” at night (for the most part) feeling really calm and serene whilst recording the pieces because of the absolute silence, because of the cold outside the windows, because of the rain outdoors. “glimpses” tries to explore human emotions and feelings, acting like a cold heartless person, or like an empathetic one, or feeling very angry or totally at peace with the rest of the world. “glimpses” is having coffee at night, “glimpses” is crying gently while thinking of a dear childhood memory, “glimpses” is listening to your loved one’s breath while sleeping in the bed near to you. All this happened while I was recording in silence, while my heart was quietly beating.“ “In Between Days” a drone that feels like its welcoming the day is joined by faint spectral like sounds before a moody piano section that has a loop attached to it that sounds almost like a bouncing ball coming to rest. Having nothing to do with The Cure song of the same title, Bracaloni goes cinematic with his vision and with a handful of elements creates a track that flows through ambient and modern classical genres without being wholly attached to either. The piano forms the counterpoint of the track and is fluid in its sounds and movements. Field recordings bathe the track, but don’t dominate and a buzzing, presumably a highly distorted guitar drone dominates the final part of the track, but its the piano and the consistent loops that are the core elements that succeed in focusing the piece. “Glimpses” flickering glitchy field recordings with slight tiny pulsing sections lead through to a new sound with rippling synth drones and what sounds like a tightly wound string instrument. Minimal piano with a glassy feel mirrors the tightly wound sound and expands on it giving the music a fragile organic quality which is a counterpoint to the noisier elements of drones and glitchy field recordings. Ringing guitar that sounds like rimshot shoot across with an alt-country feel to it. If the theme of the album is one that surrounds a variety of human emotions, I am not sure were the title track resides, but as it has laid back sections such as the guitar and the piano as well as the more slightly chaoticness of the field recordings, it could reference inner calm surrounded by turmoil. “Heart(less)” sounding like a cousin of the tracks contained on “ást” it has long drones that come in waves as well as looped field recordings of disjointed noises (like something rolling down an incline), however the way the drones are constructed are more cinematic and wide scale. If you are to take titles literally you would think one names such as this would be a dour affair, but it is not. Sure, the music is not bathed in light, but it’s not buried in darkness either. Synth changes the texture of the piece with a sense of slight optimism, but its the drones with their weighty string section feel that hold the attention. A harmonica like blast from time to time and a playful loop like section of what feels like toy piano, but probably is electric piano steers us closer to the light and brings the track to completion with one last blast to end it. “3:05 AM” glitchy static and undulating waves of ambience seem to exist on separate planes both increasing in intensity as the track navigates from its beginnings. The drones are what Bracaloni excels at and the static somewhat, but not totally detracts from this. Further drones that ascend and minimalist piano stabs lead us to a section with either treated guitar or new age like Synths. The static has disappeared and the music has opened up with a variety of drone section that travel in different directions and feel exploratory. The music comes full circle and we are led back to the earlier static section briefly before returning to this truly cinematic sphere. Bracaloni works best when he goes for ‘the big picture’. By this I mean by expanding his music so that it widens and creates an overall soundscape that is large and multi layered. Personally the static I find can be distracting, but on this occasion he uses it like a bridge between sections. "Night Reveries” is the shortest track on the album which is just shy of five minutes in length. For this piece synth drones are a central focus creating linear forms with melodic tones. An icy, rolling static sound which feels cold and harsh opposes these drones before a fast repetitive synth section of bouncing melodies fits right in the middle of these opposing sounds. Rich minimal piano brings a humanist element into the track and in a way, gives of a late piano lounge feel which might be where the night is heading after the long hours of the day (possibly symbolized by the drones) and late night aftermath (symbolized by the static). “Shape(less)” after a period of near silence a flowing drone and intermittent cascading sound consistently increase in volume and texture of sound. Glitchy random snatches of flickering sounds and a long random weaving drone snakes its way around with a proggy feel to it. Distorted synth comes in like a constantly passing sound, before glassy piano and metallic almost acoustic guitar join in. There is an additional piano section which has a jazzy feel to it, but it is used sparingly as the track is mainly a set of repeating sections or motifs, that if perceived through the lens of human emotions or feelings could be an introspective or depressive one where things keeps swirling within a persons thoughts and consciousness. Only Bracaloni can tell us for sure. “Empathetic” a track that begins of with a section of layered pulsing drones that on the scale of melodic to dark drones are more in the darker part of the equation. There is just the slightest hint of ominousness to them, before a plinki plonki like ukuele sound, proggy synth, harmonica like sound and a collection of reverberating field recordings change the dynamics slightly. Harsher drones and improv like piano lead through into a section where distant guitar rings out, before we come back to the drones and piano. For a track title such as “Empathetic” the music doesn’t come across as obviously empathetic. The actual mood contained in the track is hard to get a handle on due to the difference in the sounds. The structure is similar in that to conventional music with the repeating sections coming through with slight variations and something that ties them together – almost like verse-chorus-bridge etc… This helps bind the tracks together and if in his case, work in creating the theme. “An Overview” ends the album with this epic nine minute plus track. Starting off with slow aerial flowing drones which are given time and space to unfurl and exhibiting a light airy feeling, they are joined by crystalline piano and searching drones that feel like vertical sounds as opposed to the more linear horizontal ones of the beginning. A collection of distorted static soaked noises and field recordings enter the left hand side before piano enters the right. The static dissipates and the piano forms a nice collaboration with the layering drones that is reflective, introspective, calming and meditative. This particular section highlights Bracaloni at his best. The static returns once more and in the sphere of “The Overview” of human emotions is essential as it symbolizes those times were things aren’t smooth and happy, when things are jarring, slightly unpleasant, but also a necessary component of the human existence. A fitting way to end the album on a high.
Bracaloni is adept with creating music that is thematic. It’s not just a case of creating sounds. There is a theme, a feeling and a narrative to his work that he intends to convey through his music. He is particularly good with drones and on this album, piano. Without trying to influence him in his creative endeavors, focusing on these elements with less emphasis on the glitchy static sounds, would in my opinion, resulting in a rich vein of work. This is best exhibited by “The Overview” which highlights these strengths in a singular epic piece. It will be interesting to see the next direction Bracaloni takes with each of his following releases.

Review by Raffaello Russo
Music Won't Save You (IT)
July 29th, 2018

"With three releases in less than eighteen months, two of which released at the beginning of the current year, we can say that Lorenzo Bracaloni is dedicating himself with great diligence to his ambient alter-ego Fallen, which leads him further and further from the visionaries folk paths runt under the different monicker The Child Of A Creek. With the frequency of creative practice, the artist's confidence in the atmospheric languages is growing as a result of delicate interactions between acoustic and synthetic instruments, united by an extremely instinctive approach to composition, which does not create any limitations to the spontaneous flow of emotions. This is what happens in the eight new tracks collected in "Glimpses", conceived and created by the nocturnal context, the most suitable to bring out memories and to capture otherwise fleeting details. Are the details here that characterize the scarce time of work, during which they follow each other, recombining themselves through minute nuances and sound particles generated by acoustic and electric pianos, synths and processed guitars. The environmental textures and field recordings not only serve as background or frame for the pieces here, but they emerge instead from the frequent inversion of plans operated by Bracaloni, which thus succeeds in distilling glimmers of harmonic romanticism as for packaging essays of apparent only emotional estrangement. In both cases, the imaginative capacity of Bracaloni is fully realized, while the nocturnal ambience fully brings back memories and sensations in a hushed state of consciousness."

Review by Marcello Berlich
Crampi2WordPress.com (IT)
July 22nd, 2018

A new album for of FALLEN, which since 2015 has continued the journey begun, by the same author, under the pseudonym of The Child of A Creek. “Glimpses” was recorded at night mostly, being influenced by the weather outdoor or by the flow of his own thoughts. "Glimpses"(like most part of FALLEN’s prev records) is well focused on suspended and dreamlike atmospheres, dilated sounds, ambient and minimalism; eight compositions in which guitars with evanescent textures, piano, celesta and assorted synthesizers are mixed with echoes, crunches and perhaps the evocation of the tapping rain on glass. "Glimpses" is entirely entrusted to evocation, which leaves to listener the task “to fill it”, giving it meaning with being wrapped from, allowing this way to emerge personal experiences with reflection, thoughts and remembrances, maybe sipping a tea in the middle of the night, looking towards the surrounding world.